Monday, April 28, 2014

Fishbones



The main reference photo I worked off of. 
This year for Sakura Con, i was commissioned by friend of mine to make a prop to go with a costume she was making. Specifically, it was Fishbones, the rocket launcher used by Jinx from League of Legends. Since I have had good results with it before, I decided to use this tutorial. I have previously used this tutorial to make a different project, to good results. I did not follow it exactly, as the "armor" pieces on Fishebones about an inch think in most places. Craft foam, however, is usually only about 1/16th of an inch thick. Instead, I actually used MMA floor mats that my friend and I ordered online. While this did lead to its own problems, it also delivered very good results in the end.










Sunday, April 27, 2014

Sakura Con Photos

A collection of the photos I took (or had taken on my camera) during my time at Sakura Con.

Friday, April 25, 2014

Sakura Con

Captain Hammer. The peace-bonding
is too clever to not share.
I spent this past weekend at Sakura Con, in Seattle, Washington. It's definitely one of the largest conventions I've ever been to. (The only one that even comes close would be Rose City Comic Con from last September.) Because of the size, it was overwhelming, but I had a great time. I went with five friends of mine, to diffuse the costs of gas and the hotel. It was fun, for the most part, but friction is almost inevitable with that many people in one room.

Our drive to Seattle would turn out to be very indicative of our trip as a whole: plans didn't quite go how we wanted them to, but we still made the best of it. We didn't leave until an hour and a half after we wanted to, and had to stop more times than we would have liked, but we made the trip fun. Karaoke in the car, meaningful discussions, silly discussions, and just being with good friends.

The convention itself was a mixed bag. On the one hand, we met a lot of cool people, had fun taking photos of costumes we liked, having our pictures taken by people who liked our costumes, dressing up in costumes, and doing things with my friends. On the other hand, however, their prop weapon policy kept us from using many of our props, we missed almost every panel that we wanted to go to, and it wreaked havoc on my schedule. What was good about the convention was very good, but the experience was marred by some unfortunate circumstances. I do think I would have enjoyed it more if I hadn't had school weighing on my mind as well.

Guqin Sona. My favorite cosplayer from the convention.
This photo really doesn't do her justice.
The first day was my favorite day. My energy was the highest that day, and I was able to spend most of the just wandering the convention (primarily the dealer's room and artist's alley) with my friends. The second day was a close second, mostly due to our costumes. For that day, I went as Arcade Sona and my friend went as Jinx. It took us forever to get anywhere, because of everyone who wanted to take our photo. It literally took us an hour to get into the convention, most of the way to the dealer's room, turn around, and down to the League of Legends photoshoot. It took us 15 minutes just to get out of the foyer area. It was very flattering, but also exhausting. Even relatively light props get heavy after a while, and especially for my friend, whose character is very high-energy and requires a lot more active-looking poses.

Lisa Garland. I always love to see people
cosplay otherwise overlooked characters.
Unfortunately, the third day was not anywhere as good as the previous two. A large part of it was due to circumstances unrelated to the con. The other parts were due to missing several panels that I really wanted to go to, some due to my own lateness and some due to insanely long lines. In specific, I'm talking about the autograph lines. They really were ridiculous. For the Attack on Titan signing, we were there about 25 minutes before it started, five minutes after people were actually allowed to start queuing. Six minutes after that, the line was completely full. Overfull, actually. The line went longer than the time allotted. I had a friend with me, otherwise I probably would have given up. Fortunately, the other autograph line I wanted to get in to (Matt Mercer's line) wasn't as insane. By this point, my other friend had shown up, too (she wanted his signature as well, having previously been wandering the dealer's hall), so we had a good time together. Afterwards, the three of us and two other friends we went with, all went out to a nearby restaurant to get some desserts to finish off the convention on  a high note.

All in all, it was a pretty good convention. I am considering going again next year (although its prop weapon policy that excludes even no longer functioning Air Soft guns is stupid to the point of putting me off of wanting to go), only because I should be graduating this year. Going to a convention during the school year can be quite stressful, outside of the normal stress of an out-of-state convention. I know it sounds like I'm complaining a lot about Sakura Con, but I really did have fun. Good friends can make all the difference when it comes to how much you enjoy a convention, and mine most certainly made it one worth remembering.

Saturday, April 19, 2014

Things Don't Always Go As Planned.

So, I had planned to have a post about the construction of Fishbones go up yesterday, but circumstances beyond my control have caused that to be delayed. For next Monday, I had planned a reflection on my trip to Sakura Con in Seattle, Washington. I still plan on posting this, but most likely not until later this week. My post on Fishbones will be on this coming up Monday instead. My apologies.

Monday, April 14, 2014

Introduction

My original Princess Mononoke costume
from Anime Oasis 2011.
Hello, my name is Krista and I am a costumer from Boise, Idaho. I have been actively costuming for about three years, though I have always had a love of costumes. I have been attending conventions almost as long. My first convention was Anime Oasis 2011, here in Boise. At the time, I was living in Wyoming, so it was quite a trip to get there. Nevertheless, I loved it. After the convention was over, and I was back home, I already wanted to make more costumes and go to another one. I would, too, in October of that same year. Anime Banzai, in Salt Lake City, was my second convention, and the one that would cement my love for them. I was also inspired by the wonderful costumes that I had seen, and pushed myself to both improve my older costumes and to make more challenging costumes in the future.
My Mononoke costume, much improved from
its original form.

The following year, 2012, would be a pivotal year for me. It was at that year's Anime Oasis that I would meet my current circle of friends. These friends would be the reason that I would take two additional trips out to Boise that year (for Fandemonium and Tomodachi Fest), and the reason that I would eventually move out here.

Once here, I settled into the costuming community quite nicely, even joining the still-forming local chapter of the International Costumer's Guild, the Gem State Costumers. Currently, I am the GSC's representative to the ICG forum, meaning that I keep track of what's currently being discussed on the forum for the rest of my chapter, and am the voice of the GSC on that forum.

My Rebecca Chambers costume. The vest was my
finals project for my Costume Construction class.
In the future, I want to open up my own costume shop. My love of costuming runs so deep that I would be perfectly content dedicating the rest of my life to it. For now, though, I want to grow my presence in the costuming community. I plan on doing this by continuing to make costumes to the best of my ability, learning and growing as a costumer as I do. I also need to get my name out there, and show people what I can do. That's where this blog comes in. My plans for this blog are to use it to document my projects, convention experiences, and other related things, in the hopes of gathering a reader base that enjoys my work and will support my business as it gets off of the ground.

Join me next time as I discuss the making of my first commission: Fishbones.